Showing posts with label medieval churches. Show all posts
Showing posts with label medieval churches. Show all posts

Tuesday, December 20, 2016

Rome's Unsolved Mysteries



So you think you know everything there is to know about Rome? Ok, maybe that’s asking a lot. Do you believe you can find the answer to any Rome-related question with a simple Google search? Are you convinced your heaving library of books on Rome holds all the answers? Think every facet of this city’s past has been asked and answered? Well, think again. There are, in fact, many question marks that surround Rome’s fascinating history. Let’s go on a little treasure hunt of sorts to look at some of the most intriguing unanswered questions:


Pantheon Rome light shaft
The Pantheon on Rome's birthday, © Tiffany Parks

Is the Pantheon a sundial?
The Pantheon is one of the most recognizable monuments in the Eternal City and receives millions of visitors every year. Any guidebook will tell you that the temple was built by Emperor Hadrian around 126 AD, that it’s the best-preserved ancient Roman building in the city, and that the early Renaissance architects studied it for insight on building domes. Its most characteristic aspects include a coffered ceiling, the largest unreinforced concrete dome in the world, and an oculus—or open hole—in the ceiling that illuminates the dark interior with dramatic shafts of light.
But recent studies have hypothesized that the iconic site is even more than meets the eye. Historians Robert Hannah and Giulio Magli claim that the true purpose of the Pantheon was nothing less than an enormous sundial, having been oriented so that the sunbeam from the oculus lights up certain areas of the interior at significant times of the year. And in fact, the light beam shines directly out the door at noon on 21 April, the legendary founding of the city, and in other striking ways on solstices and equinoxes. Other scholars disagree, saying that the purpose of the oculus was to cool the building in the heat of summer, or lighten the weight of the immense dome to prevent collapse. But without concrete evidence, the true purpose of the Pantheon will remain one more of Rome’s unsolved mysteries.
Piazza della Rotonda. Open Mon–Sat, 9am–7:30pm; Sun, 9am–6pm.
 
Basilica Neopitagorica


What was the Basilica Neopitagorica used for?
Located directly below the tracks of a railroad line that connects Rome and Naples and buried entirely underground, the Basilica Neopitagorica is one of the most mysterious and little-known sites in the city. The mysterious building lies nearly nine meters under Via Prenestina, and is laid out in the classical basilica plan, with three naves, an apse, an atrium, and a dromos. The barrel-vaulted ceilings are decorated with stucco reliefs depicting mystic symbols, the floors are covered with traces of black and white mosaics, and frescoes along the walls depict scenes from Greek mythology.
But no one knows for sure what this cryptic space was used for, and multiple theories have been put forth since its accidental discovery in 1917. Some claim it was a nymphaeum, others insist it was a mausoleum or funerary complex dating to the late-Augustan period. The most widely held belief is that it was a sanctuary of the Neo-Pythagorean cult, a philosophic and religious movement inspired by the teachings of the Greek thinker Pythagoras. The cult eventually died out in favor of Neo-Platonism, and the basilica appears to have been destroyed during the reign of Emperor Claudius.
Although it is now entirely excavated, the site has long been inaccessible to the public, mostly due to its precarious position beneath the railway line. However, it opened its doors for a limited series of visits this past fall, and although those visits are now over, we can only hope that they decide to do so again in the near future. Especially as this one’s on my bucket list.
Piazzale Labicano. www.coopculture.it

 
San Lorenzo Fuori le Mura


Is the Holy Grail in Rome?
Everyone knows the story of the mystical Holy Grail and the numerous lifelong quests to discover its location, or even confirm its very existence. From King Arthur to the Knights Templar to Indiana Jones, every great adventurer has dreamed of holding the sacred chalice in his hands. But what if this most sought-after of artifacts were right here in Rome, under our very noses? That’s what archeologist Alfredo M. Barbagallo claims. Christian tradition would have it that the treasures of the early church were entrusted to St. Lawrence by Pope Sixtus II in 258 AD. Was it a coincidence that the saint was martyred just four days later (famously grilled alive) during the persecution of Emperor Valerian? Barbagallo says no. He believes that St. Lawrence took the grail with him to his grave, on top of which was built a small shrine, and later the Basilica San Lorenzo Fuori le Mura. Go ahead and visit for yourself, but keep in mind that the catacombs under the church remain sealed. Until they are opened, we’ll never know for sure.
Piazzale del Verano, 3. Open daily, 7:30am–12:30pm and 3:30–7pm.

 
The Colosseum by night, © Alessandro Silipo


Is Rome truly haunted?
In a city that has seen as much death as Rome has, there are bound to be a few ghosts flying around. From the thousands of people slaughtered in the Colosseum, to the medieval plagues that carried away 90% of the population to the Sack of Rome of 1527 that claimed up to 12,000 lives, the scent of death has been a constant in the Eternal City since its inception. For centuries, it was believed that the Colosseum was one of the seven portals to hell, rife with demons. Artist Benvenuto Cellini wrote in the 16th century of his experience consulting with a necromancer at the Colosseum, seeking to discover the fate of his missing lover. As late as the turn of the last century, the Colosseum was thought to be so polluted by the noxious fumes of its countless murders as to be fatal to anyone who breathed them, particularly at night. (Just read Henry James’ Daisy Miller if you don’t believe us.) Decide for yourself if it’s truly haunted by taking an after-hours tour, but don’t say I didn’t warn you.
Piazza del Colosseo, 1. www.coopculture.it
Want more solid proof of the existence of ghosts? Pay a visit to the Museum of the Souls in Purgatory, a tiny museum that displays messages from beyond the grave: fingerprints burned into prayer books, a charred handprint on a wooden table, and other creepy evidence that heaven’s unpleasant waiting room might actually exist.
Lungotevere Prati, 12. Open 7:30–11am and 3:30–7:30pm.


David Oakes as Juan Borgia and Francois Arnaud as Cesare Borgia in Showtime's series, The Borgias


Did Cesare Borgia kill his brother?
The infamous Borgia clan: they were rich, powerful, corrupt, violent, and Spanish. Led by the charismatic and sensual patriarch Rodrigo Borgia, who was elected Pope Alexander VI in 1492, they were the most hated and feared family in Renaissance Rome. Scandal followed wherever they went, and not without good reason. The Pope had at least 11 illegitimate children and celebrated his ascension to the throne of St. Peter by acquiring a new teenaged mistress. Two of his children, Cesare and Lucrezia, were accused of having an incestuous relationship, and his Master of Ceremonies Johannes Burkhart reported elaborate orgies taking place inside the Pope’s apartments. But by far the greatest scandal of his papacy was the death of the family golden child, Juan Borgia, when his body mysteriously washed up on the shores of the Tiber with its throat slit and nine stab wounds to its torso. He was hated by so many people that it was impossible to identify a killer, although many scholars believe one of his own brothers did the deed, most likely Cesare, jealous of their father’s favor and their sister’s affections. After more than 500 years, the trail has gone a bit cold, and it’s unlikely we’ll ever know for sure who killed Juan Borgia. But a visit to the Borgia Apartment (part of the Vatican Museums), with the nefarious family members immortalized in frescoes by Pinturicchio, will make the mystery come alive. And keep your eyes peeled for the trap door that reportedly exists somewhere within it, a hatch that emptied directly into the Tiber, making it all too easy for the Pope to dispose of his enemies.
Viale Vaticano. Open Mon–Sat, 9am–4pm. www.vatican.va
 
 
Pope John Paul I, August 1978

Pope John Paul I, September 1978













Was John Paul I murdered?
A slightly more recent Vatican whodunit concerns the fate of Pope John Paul I, whose pontifical reign lasted a mere 33 days. Elected on 26 August 1978, he was found dead in the early hours of the morning of 29 September, barely a month later. Official Church spokespeople insisted his death was natural, although some reported heart attack and others said pulmonary embolism, others still claimed an accidental overdose of his medications. It would later be impossible to confirm, as his body was embalmed immediately, with no autopsy. Not only that, but the Pope had no history of heart issues, his personal items disappeared, never to be seen again, and it eventually came out that the nun who had discovered his body was placed under a vow of silence. Many suggest there was, in fact, a more sinister explanation behind his untimely demise, perhaps because Papa Luciani (as he was affectionately known) did not always adhere to the conservative Vatican line, and his fervent goal was to rid the echelons of the Church of its wealth and power. Not very convenient for the big dogs in the Vatican curia. To learn more, pick up a copy of In God’s Name, a work of nonfiction by investigative journalist David Yallop.


Johanna Wokalek as the title character in Pope Joan (Constatin Film)


Was there really a female pope?
A mystery that is sure to remain unsolved, probably for all time, is that of Pope Joan, the supposed female pope. The story goes that, during the early Middle Ages—the 9th century according to most accounts—a young Saxon woman who was unusually well educated for the time, disguised herself as a man and became a monk. She later travelled to Rome where she ascended the church hierarchy and was eventually elected pope. She ruled for two and a half years, but was discovered when she gave birth unexpectedly during a papal procession, and died shortly thereafter. The earliest reports of this extraordinary tale don’t appear until the 13th century, and for this reason, many naysayers reject the story out of hand. But while the story of “la papessa” officially holds legend status, there are those who wholeheartedly believe she existed. Their number one piece of evidence is a wooden chair—reportedly hidden away in the archives of the Vatican Museums—with a keyhole shape cut out of its seat. During the middle Ages, newly elected popes would be asked to sit on the chair, while a cardinal checked to make sure they were indeed male. Intrigued? Pick up Donna Woolfolk Cross’s historical novel Pope Joan, or the 2009 film based on the same.



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Friday, October 4, 2013

Five Ways to Celebrate St. Francis’s Feast Day in Italy


The Day after Pope Francis's election, Piazza San Francesco a Ripa. ©Tiffany Parks

Since I live on a street dedicated to St. Francis of Assisi, and since I can see a church dedicated to St. Francis of Assisi right out my bedroom window, and since my darling Maritino and I were married by a Franciscan priest, and since our current ever more lovable Pope chose his papal name (many believe) to honor St. Francis of Assisi, I figured it would be a good idea to write a little post today on 4 October, on occasion of the feast day of one of Italy’s all-time best-loved saints.

Instead going into St. Francis’s life andworks, which I’m guessing most people are already familiar with, I thought I’d suggest five ways to celebrate his feast day, and five different Italian cities in which to do it.

Assisi

Basilica of San Francesco d'Assisi, Assisi. [source]

As the saint’s hometown, this is the obvious choice. In fact, this is where Pope Francis himself decided to celebrate St. Francis’s Day, so expect a lot of crowds if you choose this option. Besides the sheer majesty of the 13th-century basilica, one of the most important fresco cycles of the great Giotto di Bondone, and in fact one of the most celebrated works of art of that magical period when the buds of medieval art began to blossom into the Renaissance. 

The Woman's Confession, Giotto. Basilica of San Francesco d'Assisi, Assisi. [source]

The Dream of the Palace, Giotto. Basilica of San Francesco d'Assisi, Assisi. [source]


San Francis receives the Stigmata, Giotto. Basilica of San Francesco d'Assisi, Assisi. [source]

The 28 frescoes that line the lower section of the nave of the Basilica of San Francesco d’Assisi tell the story of the saint’s life and are believed to have been painted between 1296 and 1304. Bonus: an even earlier portrait of St. Francis, by late-medieval master Cimabue, can be seen on the transept wall. The fresco, Our Lady Enthroned with St. Francis, dates to 1280 and features one of the most well known depictions of the saint.


Our Lady Enthroned with St. Francis, Cimabue. Basilica of San Francesco d'Assisi, Assisi. [source]

The basilica also contains the saint’s tomb.

Tomb of St. Francis of Assisi. Basilica of San Francesco d'Assisi, Assisi. [source]




Florence

Basilica of Santa Trinità, Florence. [source]

If you prefer high Renaissance art to late medieval/early Renaissance crossover art, and you happen to be in Florence today, you’re in luck! Head to Santa Trinità church where you can visit the Sassetti Chapel, containing an exquisite fresco cycle by Domenico Ghirlandaio (who just happened to be Michelangelo’s first master, and one of the painters of the walls of the Sistine Chapel). The fresco, dating from 1482-1485, depict several scenes of St. Francis’s life, including the receiving of the stigmata, the confirmation of Franciscan rule, and the resurrection of a boy.

Confirmation of Franciscan Rule, Ghirlandaio. Church of Santa Trinità, Florence. [source]

St. Francis's Trial by Fire, Ghirlandaio. Church of Santa Trinità, Florence. [source]


Death of St. Francis of Assisi, Ghirlandaio. Church of Santa Trinità, Florence. [source]

Chiusi della Verna

Santuario della Verna, Chiusi della Verna. [source]

Not many tourists make it to this tiny little town in the province of Arezzo, but if you’re in the general area today, consider a visit to the Santuario della Verna, just a few miles outside of town. In addition to its evocative setting, perched on an outcropping of Mount Penna, the sanctuary is also renowned for being the site at which St. Francis received the stigmata, on 14 September 1224. You can also visit a small museum attached to the sanctuary where you can see St. Francis’ rough habit, slightly moth-eaten, but still intact.

Habit of St. Francis of Assisi, Santuario della Verna, Chiusi della Verna. [source]



Subiaco

St. Benedict's Monastery, Subiaco. [source]

This gorgeous hilltop town, famous for its medieval Benedictine monasteries, is not generally associated with St. Francis of Assisi, but there is one notable curiosity for those seeking to pay homage to the saint today. In St. Gregory’s Chapel in the Monastery of St. Benedict is only known portrait of St. Francis painted during his lifetime. The portrait shows neither halo nor stigmata, showing it was indeed painted before the saint’s death in 1226. If you want an idea of what he actually looked like, this is probably as close as you’ll come.

Portrait of St. Francis of Assisi, St. Gregory's Chapel, St. Benedict's Monastery, Subiaco. [source]


Rome


Church of San Francesco a Ripa, Rome. ©Tiffany Parks
 
If you’re in the Eternal City today, never fear! You don’t have to travel anywhere if you want to make a St. Francis pilgrimage of your own. The church of San Francesco a Ripa in Trastevere is attached to a convent that housed St. Francis when he was in Rome in 1209 seeking recognition of his order by Pope Innocent III. If you ask the custodian nicely (and if your shoulders and knees are modestly covered!) he’ll happily take you up to the very cell St. Francis slept in, complete with the very stone he used for a pillow, which visitors are allowed to touch.

The rock St. Francis used as a pillow, Cell of St. Francis of Assisi, Church of San Francesco a Ripa, Rome. [source]


While you visit the church (which by the way also contains Bernini’s late masterpiece The Ecstasy of the Beata Ludovica Albertoni), take a moment to wallow bitterly in the knowledge that this unassuming little trasteverina church once contained, along the walls of the nave, the prototype of the legendary Giotto cycle in Assisi. The frescoes depicting scenes from the life of St. Francis, attributed to Pietro Cavallini, are sadly now lost. “Now lost”: two words that inspire the wrenching of hearts and gnashing of teeth of many an art lover.
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Thursday, June 23, 2011

Mysterious Mausoleum

The Mausoleum of Constantia, one of the eeriest and most evocative spots in the city, is what inspires me to write today. Constantia (sometimes called Constantina) was the daughter of Emperor Constantine and his second wife Fausta. Despite a medieval legend that would have her devoutly praying at the tomb of St. Agnes (now the site of the magnificent basilica, Sant’Agnese Fuori le Mura), miraculously curing her of leprosy (curiously, a legend nearly identical to one associated with her father Constantine), she was by most accounts a vicious, greedy and not particularly religious person. However, due to her miraculous cure, she was venerated (but it seems never canonized) as a saint, although she is not recognized as one by the church. Nevertheless, her 4th-century mausoleum was later consecrated as the Santa Costanza church, and is attached to the same basilica of Sant’Agnese associated with the legend. Both are located northeast of the historic center, off of Via Nomentana.



The mausoleum is cylindrical, like the Pantheon, with exposed brick walls and intricate mosaic ceilings around the outer ring, or ambulatory. A double row of columns separates the ambulatory from the heart of the mausoleum where the altar sits, and the streaming light from the high windows above contributes to the spooky atmosphere. Perhaps the dark, gloominess of the ambulatory in direct contrast with the light, airy space beneath the dome is what makes this space so mysterious.



A rather shabby copy of Constantia’s imposing porphyry sarcophagus sits where the original (now housed in the Vatican Museums, pictured here) once stood. Much more painful is what has become of the domed ceiling. The original mosaics that once filled the dome were sadly destroyed in 1620, to be replaced with mediocre Baroque frescoes.



The 4th-century mosaics are without a doubt the most interesting detail of the mausoleum. While the 5th-7th century mosaics in the apses depict Christian scenes, the barrel vaulted ambulatory mosaics are much more pagan in style, depicting mostly flora and fauna or geometrical shapes in deep colors (mostly reds and greens) on an off-white background. My favorite section of mosaic is a puzzle of interlocking crosses, hexagons and octagons. For any other lovers of Roman art and architecture out there, does it look familiar? Is there another spot in Rome (hint: much more recent) where this same pattern is repeated? I am curious to see if anyone recognizes it. Please comment if you do!!



This mausoleum-turned-church was one of the few contenders when I was first considering where to get married, a very long 18 months ago. I loved the idea of getting married in a circular space, with the guests seated all around us. The way the light streams in from the upper windows is breathtaking, not to mention the rich detail of the mosaics I love so much. What eventually deterred me were the morbid connotations of getting married in what was once a mausoleum, and the fact that I was determined to wed in the historic center. The church we eventually chose was perfect for our wedding, and before long I will write a post on that loveliest of all churches.


Photo sources: 1, 2, 3
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