Showing posts with label magic. Show all posts
Showing posts with label magic. Show all posts

Tuesday, July 24, 2012

So you want to move to Rome? My advice: do it!

I began writing this post in my head last night, as I was trying to fall asleep (the only free time I have these days, as my dearth of blog posts testifies). The idea for this post came to me on the heels of some amazing friends who have been making stops in Rome in the past weeks. Seeing Rome through fresh eyes never fails to remind me of how amazing this city is, and how unbelievably lucky I feel to live here.


View from Via dei Fori Imperiali, photo by Giulio Menna

It is so easy to get bogged down by the negative things about this city. Every city on earth has its unpleasant aspects, but Rome’s can be so glaringly obvious and pervasive (especially as one transitions from happy-go-lucky expat to permanent resident) that it is easy to lose sight of the innumerable wonderful things, the things that made most of us expats move here in the first place.

In the space of two weeks, I have been blessed by the appearances of a number of friends, none of whom live in Rome, but all of whom have a connection with it. Cristina and Tim are ex-expats, who lived here for years and were some of my first friends when I arrived. They have both moved on to have fabulous careers outside Italy, but can’t help feel that magnetic pull to allure of this city, and are even tempted, every so often, to chuck it all and come back (although –sadly for me– I know they won’t).

Another is India, a former yoga student of mine who spent 18 magical months here as an adolescent and now, at 20, wouldn’t be able to survive a year without at least one week spent in Rome. She visits every July and her enthusiasm for Rome is contagious.

And then there’s Maeve. Were it not for a blossoming opera career in New York, she would have taken up residence in this inimitable town long ago. But, as with most musicians, career comes first, and so she’s content to visit once a year, study the language and soak up the culture. Spending time with these four amazing people has renewed my delight in Rome. After a couple of months of more griping than usual about this fair city (and its ever so difficult residents), thanks to my friends I have returned to my “default setting” of being enchanted with my adopted hometown.

Detail of Villa Medici, photo by Patrizia Ferri

And this led me to think about the people I know who aren’t happy to come here only for short visits. People who, like me, can’t help but heed that insistent voice that tells us there is no other place for us, at least at this moment in time, than Rome*. That to live anywhere else would be to deny one of the deepest desires of our souls.

People like my new friend Margaret, who even as I write this is plotting her move here. Although at a completely different stage in her life than I was as I schemed to find a way to live here 8 years ago, she nevertheless reminds me of exactly how I felt when the thought of living in Rome was not yet a reality.

People like travel writer and fellow blogger Keane Li who finds charm and fascination in every angle of the city, and captures them so compellingly in his writing. He asked me recently, in a message that I have shamefully yet to reply to, what advice I could give him on how to make the transition to live here permanently. Maybe I haven’t replied because it’s a big question. There are so many things to consider, including finances, the language barrier, work permits, the bureaucratic nightmare of becoming a legal resident, the horrifying discrepancy between salaries and living expenses, not to mention the shock of up and leaving your home, job, family, friends and culture in one fell swoop.

But, unlike most big questions, this one has a short answer:

Do it.

At the risk of sounding like a decades-old marketing campaign, just do it. There will be so many people, both those who have attempted such a move and those who would never dare, who will tell you it’s not possible, or better yet, that it’s not worth it. That it’s a big risk, it’s financially draining, it stagnates your career, and so on. All this, and for what? Just to live in a foreign country? Life will still go on, just as before.

Detail of the Fountain of the Triton by Gianlorenzo Berlini, photo by SpirosK

Yes, life will go one, and sometimes more frustratingly than before (I wrote about this in a guest post not long ago) and it’s important not to imagine that life will be as easy and deliciously carefree as Woody Allen and Julia Roberts make it seem in the movies. But naysayers who get off on telling others how things can’t be done are generally just smarting because their own experiences were less than ideal.

Don’t listen to them. You have a desire, a calling, even. You can’t explain it; you just know. Don’t let anyone change your mind. Hearing other people’s experiences is necessary, but ultimately, only you know what is right for you.

I felt this unexplainable calling too, from a very young age, as I’ve written about before. I didn’t know why I was supposed to be here. I just knew that I had to come, and stay. (PS Coming is easy; it’s the staying that is the hard part.) So come I did, and let me tell you, the first year was hard, nothing like the month-long study trips I had taken years before. But I toughed it out; I just knew I was supposed to be here, and now I realize why: his name is Claudio. (Not that he’s the only reason, of course! My lifestyle here alone is enough of a reward.)

I don’t intend to suggest that everyone who moves to Rome should stay here indefinitely. Some people come for six months or a year, get their fill of gelato and amatriciana and move back home, richer and wiser for their experiences. And there are others who stay 10, 20 years, or even their whole lives. Whatever the case, if you want to be here, come. It goes without saying, be prepared. Save up some money, learn the basics of the language, have a plan for how to make money, and don’t be too flippant about legal requirements (it’s not 2005 anymore), but just come. Things will work themselves out.

Photo by Mark Turner

It won’t be without sacrifices. You may end up living on a fraction of what you are used to in your home country, and some may see this as a step down on the socio-economic ladder, but I see it as an opportunity to learn to live with less. You’re used to living in a two-storey house? Try a cozy one-bedroom for a change, or move in with roommates, making new friends in the process. Think you can’t live without your SUV? Discover the freedom of commuting by bicycle. What you will receive in cultural, gastronomic and artistic wealth will more than make up for any temporary material lack you might feel.

I truly believe that when you are doing what you are meant to be doing, things have a way of working out. Not always exactly as you had envisioned, but brilliantly nonetheless. So if you really, really want it, take the risk. Give notice. Buy those tickets.
In short, just come. And be sure to look me up when you get here.


*Or Paris, or Tuscany, or Spain, or wherever it is your heart wants to be
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Friday, March 30, 2012

How I moved to Italy and married the love of my life, part 1

As you may have already guessed from the name of this blog, I love Roman pine trees. I adore them actually. I could sit and look at them for ages. Today I have come to the pines for some inspiration.


I am writing this from a bench in my favorite spot in Villa Pamphilj, what I call the pine grove, where the trees all grow in straight parallel lines. No, I didn't bring my computer to the park. I would never commit that sacrilege! I am writing this out longhand. It almost feels like I'm writing in a diary, perfect for the post I have in mind.

As you well know by now, it was my not so brilliant idea to post about my wedding every 29th of the month (because I got married on the 29th), but I quickly got overwhelmed by the back story I wanted to tell.

It started out fantastically. I had a great time writing about my ancestors, and how I feel that they have, in some strange way, guided me here. But when it came time to write about myself, I clammed up. In January I skipped the post, in February I admitted my reluctance to get too personal, but my lovely bloglings encouraged me to bag my inhibitions and open up. So here goes. (I have a feeling this is going to be long. I'll have to do it in multiple parts. Oh, how I love to draw things out. I apologize in advance!)

To tell this story properly I must begin, if not in 1861, then at least in the early 80s when I discovered that I have Italian blood. I can't remember the exact day but I remember the feeling... I felt Italian. Of course I had no idea what being Italian ought to feel like, but I knew I felt it. Never mind that I was only one quarter Italian, never mind that I spoke not a word and had never set foot in the country. Never mind the German, Irish, English, Portuguese and who knows what other blood I had--that didn't matter. What mattered was that I was Italian.

No, this isn't me, although I wouldn't be surprised if a photo of me like this exists.

Not by citizenship of course. The Italianess came to me from my mother's mother, and a ridiculous and sexist law makes it impossible for me to claim Italian citizenship through my ancestors. But that didn't stop me, especially as an exuberant 7 year old, from feeling Italian.

I'll never forget my first trip to Italy, with my mother and sister when I was 14. At that time I was blindly obsessed with the film A Room with a View. I ate, slept and breathed this film. I literally (literally!) had the entire script memorized. Being kissed on a hillside with Florence in the distance was just about the most romantic thing in the world as far as I could tell, and I wanted it to happen to me. So going to Florence was almost a pilgrimage.

I'm embarrassed to admit that at that age I didn't care much about the David or the Botticellis or even the Duomo. I cried when I stood in the Piazza della Signoria, not because of the amazing art surrounding me, or the hundreds of years of history, but because I was standing where George caught Lucy when she fainted.

A Room with a View, Merchant Ivory Film
Ah, the romance! How this scene thrilled my adolescent heart!
A Room with a View, Julian Sands and Helena Bonham Carter

What can I say, sometimes fiction is more moving than history. Blame it on my youth.

We took an overnight train from Paris, and in the morning as the train barrelled through Tuscany, I stumbled down the corridor and bumped into someone. "Scusi!" I said, automatically. Then I stopped, realizing, "I can say 'scusi' now... I'm in Italy!" Bliss.

What would I have thought then to know I would one day live here? Maybe I knew all along it was inevitable. As life sometimes works like dominoes, my obsession with A Room with a View introduced me to the music of Puccini, which began a whole new (and much more time consuming) obsession, this time with opera.

By 16, Mozart's The Marriage of Figaro filled every available corner of my brain. Just as much as I longed to perform the role of Susanna, I equally longed to be able to speak Italian. I would memorize the endless recitativi from Figaro, and rattle them off, imagining I was having a conversation with an Italian (preferably a dark, handsome, male one).

Ten years and many trips to Italy later, I was plotting to find a way to move here permanently. I no longer yearned for anything so specific as a kiss in a barley field. I just wanted to live this magical place, to soak up the beauty that Italy emanates from its very core. At first it was more of a day dream, something that almost didn't seem possible. But I wanted that dolce vita so bad I could taste it. Eventually it became a mission, until finally one day, I said to myself, "What's stopping me?" and three months later I was here.

[Cue record scratch as blissful Amelie type music screeches to a halt]

Those of you who live here know, life in Italy is not only about romance, cobblestones, and picturesque alleyways. It can be a frustrating, exhausting and extremely harsh place to live, despite what the films make you believe. I found that out not long after arrival.

I'd love to be able to say I met the man of my dreams the day I got off the plane, and that my life fell instantly into place. Instead followed four mostly wonderful, sometimes miserable and always challenging years on my own in this crazy country. Still, I wouldn't trade those years, what they taught me and how they shaped me, for anything. You'll have to tune back in this time next month to hear the rest of the story.

If you are wondering what all of this rambling has to do with my wedding, well, I'm getting to it. I have never been capable of telling a short story. The point is, just like Mr. Beebe, I am naturally drawn to all things Italian. If it were not so, I would never have met my dashing Maritino.

Photo sources: 1, by author; 2, 3, 4

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Saturday, December 24, 2011

Trastevere's Living Nativity Scene

This past Tuesday night, 20 December, our little parish in Trastevere, Santa Dorotea, staged a pretty impressive living Nativity Scene. I was expecting a couple of kids dressed as shepherds or angels draped with sheets à la The Best Christmas Pageant Ever. I was completely unprepared for a massive production that included over 50 children and dozens of adults, a children's choir, and adult choir, a violinist, a spotlight and numerous live animals. Trastevere's first Living Nativity Scene, staged in our very own Piazza Trilussa, was a resounding success, and I would be lying if I said I didn't tear up a few times during the 90 minute production. Here are a few of my own photos from the event that do not do it justice.



Seeing Mary and Joseph preparing to cross the Ponte Sisto was a magical sight. This was when I started to get as giddy as a child on, well, Christmas. I have nothing against Santa Claus, the reindeer, the tree and all the presents, but as corny as it sounds, this is what Christmas is all about for me, and seeing it reenacted, especially in my stomping ground, the neighborhood I have called home for more than seven years, was intensely moving.



One of my favorite parts of the nativity scene was the shepherds corner. They went into such detail to recreate the atmosphere and it was truly magical.






Mary and Joseph arrived to Debussy's Clair de Lune, its gentle notes overpowering the hushed square. You can see my priest in this photo, to the right of Joseph's head, the inspiring Padre Umberto Fanfarillo who organized the entire production.


See the angel playing violin?


The three wise men also arrived to gut-wrenchingly beautiful music.


A few photos of the stars.




The baby actually seemed divine: he didn't cry once, not even a peep.

This was without a doubt one of the greatest things I have ever experienced in Trastevere, including the Chocolate Festival! I hope to participate next year!

All photos by author

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